Release Year: 2002
Cast: 411
Genres: BDSM, Fierce Bondage, Ascendancy, Fetich, Debasement, Caning, Rubber
Video language: English
Day Three of 411’s forty-eight hour feed starts out with 411 looking sleepy. She sits in the bench, bared. The purple bruising on her tits are clear reminders of what has gone before. Her pom-pom is sleepy also, a thin, relaxed strip of skin.
After sponging herself clean, having her morning piss, and applying her make-up, 411 is once more strapped to the chair. This time it has been configured into the position of a gynecological bench, tho’ for her, straps have been combined to assure full compliance.
What proceeds next is her morning shit, a half hour long enema scene that begins with the insertion of an inflatable booty plug that will feed liquid into her bowel. She weeps with the insertion and inflation of the plug, in obvious aching. As the clyster bag empties, her stomach inflates, distended from all the liquid. Fluid begins to spurt out around the plug, so the plug is removed. But she’s educated to hold it. Even so, some water squirts out of her bottom.
She is told to allow it to come out. But then told to stop. This lasts, with her having to marshal all her effort to control the discharge of fluid. As the fluid starts out to take on a murky brown appearance, he pokes on her belly. 411’s humiliation is clear. After all the piercing and suffering of her two prior days, she says this is the worst thing ever. As solid masses begin to peek out her anal, she also pees, adding more color to the scene.
Now that she has been relieved of excess baggage, her position is changed. The chair back is pushed forward to an upright position. Her wrists are shackled to the easy-chair arms and her ankles shackled to the forward legs of the armchair. A pan of lustful coals is placed beneath her seat. Her body is painted with oil, the paint brush slathering oil about her pubic area. Her vulva has awakened. It appears as a round fleshy mass with a vertical fold. Her flesh shimmers with oil. She begins to squirm, her bottom and bush glowing red from the heat. The metal rungs of the bench conduct more heat. She can scarcely lift herself from the seat. Her pom-pom swells, hanging loose and open. She pisses on the charcoal. (Pissing may well be 411’s response to almost everything.) The charcoal hisses and sputters, going to steam.
The coup de grâce of the three-day event is a big thrashing scene. She kneels upon the seat of the stool, bent over so that her booty and thighs are prominently demonstrated. Her ankles are shackled as are her wrists. Her head, upside down, is locked into stocks below the level of her knees. The beating begins on her left foot, one blow at a time. But soon, she sustains a rain of blows on calves and thighs. Before long, her left thigh and asshole show a laddering of welts. 411 absorbs the waves, processing, rocking as a way to dispel the bursts of pain. The cane starts on the right foot. From this angle, we can see her foot being caned and her face at the same time, seeing the immediate affect and her method of accepting the pain, breathing through it. The slap of the cane resounds.
She takes blow after blow without much sound. 411 appears to be locked in a continual wash of pain as the blows fall without a break. Her thighs and asshole are a mass of red and purple stripes. The cane shreds her. As he begins to talk of finishing up, saying that he is satisfied, she says (remarkably) that she can take more! What a greedy pain slag! He endeavours a number of instruments on her, bringing out a very hefty cane, larger than the woody. She emits the loudest sound so far, but scarcely a full-fledged moan. It raises an immediate bubble of a welt as her bum swells. She says she can’t judge between strokes anymore. The carnage of her asshole and thighs appears as nothing but line after line of deeply colored welts, many embedded within prior welts.
She sits gingerly afterward, subdued. At the end, we see the 411 sparkle again, as though she is waking up.
Format: real
Duration: 1:10:09
Video: 320×240, RV30
Audio: 43kbps